Wall Street: Money Never Sleeps

Oliver Stone's 1987 film "Wall Street" had taken it's viewers into an exotic world. 23 years later, Oliver Stone returns with it's sequel. Apparently this is the first ever sequel Stone has directed. First movie was a huge hit as came at time when financial news was just a news for everybody and suddenly there was this movie on banking that looked like thriller. This time there's nothing exotic about it anymore. Its based on the nightly news on unemployment corporate downsizing.

But, it is that rare sequel that took its time-23 years and not only it advances its story but also has something new to say. Stone and his sawy writers Allan Loeb and Stephen Schiff, have crafted a tale that takes advantage of viewers' newfound knowledge and cynicism. Stone has cast his movie well with Shia LaBeouf, Josh Brolin and Carey Mulligan to attract younger viewers, and Michael Douglas' return as Gekko can't help being a major lure.

The story settles quickly on young proprietary trader Jake Moore (LaBeouf), who just happens to be in love with Winnie Gekko (Mulligan), Gordon's estranged daughter. Despite Gekko's attempts to warn Wall Street of the economic downturn and stock market crash no one takes him seriously because of his early crimes. Then Gekko tries to rebuild his relationship with his daughter who always accused him for her brother's suicide. In the mean while, global economy is on the verge of disaster, Jake, a young Wall Street trader joins hands with Gekko on a two tier mission.

Can you win two Oscars playing the same role? An actor rarely gets the opportunity to revive a breakthrough role in a way that allows him to rethink the character and to reflect on where fatal flaws once lay. Douglas does this brilliantly. LaBeouf is top notch. He nicely balances his character's idealism and shrewdness. Mulligan and Brolin deliver strong supporting roles with attention-grabbing characters.

Stone has tried a different way of direction this time. His camera work can be either praised in a great manner or people might be turned off. Either ways, no one can ignore the class he has put in the movie. As stated earlier, camera work is glittering and glossy. Background score is scintillating.

To conclude, I would just say that go for it to experience Gordon Gekko after 23 years and of course the class of Stone in a movie on finance, thrill and banking and the brilliant camera-work!

My Rating: 8/10

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Lafangey Parindey

What do you expect from a love story now-a-days? Should it be different? Should it be unique? Should it be one of a kind? But how many times have you come across a love story that is different or unique? You'd say none! I wouldn't disagree. But, Lafangey Parindey somehow doesn't go down as common love story.  


She, a wannabe figure skater, cannot see. He, a bare-knuckles street-fighter, doesn't need to. But both Pinky Palkar(Deepika Padukone) and Nandan Kamtekar(Neil Nitin Mukesh) have their sights firmly set on a better life, a life beyond the mean backstreets of Mumbai.
One Shot Nandu, as he is called, fights blindfolded every week for Satta King(Piyush Mishra) and lays his opponent low with one blow, always wins.
Pinky, dreams of making it big by winning a reality show but an accident takes away her eye sight and then she is supported by Nandu to refocus her goal. Dekhne ko aankh nai keeda maangta hai. This is the lesson he gives to Pinky. She starts using her all sense organs to offset the absence of sight. Together they form an unlikely pair, but as fate had decided they fall in love and with predictable twists and turns and finally achieve their goals.


The movie is a predictable ride from the beginning, but the typical Mumbai lingo along with fine performances of specially supporting actors prevent you from looking at your watch and the ceiling. The first half is  slow and little boring but the skate dancing in the second half is the saving grace. Many scenes do bring smiles and laughs during the movie.


Neil Nitin is evolving. He has done extremely well. Deepika is finally learning to act. This is her finest performance to date. Piyush Mishra is exceptional. As stated earlier, the supporting actors have done a brilliant job. Music by R. Anandh is good. Special note for the song Man Lafanga sung by Mohit Chauhan. Choreography is top notch. Bosco-Caeser are sure to get many accolades for the skate dancing in the climax of the movie. Dialogues by Gopi Puthran are hilarious. Action and cinematography are OK. Pradeep Sarkar of Parineeta and Laga Chunari Me Daag fame surely has attempted a very different genre this time. He doesn't succeed, nor he fails. The movie is perfect mixture of entertainment and boredom. Seldom you get bored and often you laugh.


To conclude, I would say go for it, if you are looking for a complete masala Bollywood flick and some brilliant skate dancing. 


My Rating: 6/10


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PEEPLI [Live]

                         



Bollywood is changing finally! Bigtime!! Makers are now finally shifting their focus on realistic movies rather than making movies having same old cliches and melodrama. Latest film to add in the list is Peepli Live. Produced by ever dependable Aamir Khan, the movie has no big name in the star cast but kudos to Débutante Director Anusha Rizwi's superb screenplay and direction and combining with monstrous marketing strategies by Aamir Khan this created waves worldwide.


The subject of the movie is simple yet thought provoking. As India moves to an industrialized economy, farmers are committing suicide. Self-serving politicians at all government levels have been unwilling or unable to do anything about this. While the movie might appear as a spoof on the farmer suicides but it ends up conveying much more and presents some shocking facts.


Peepli residents Natha(Omkar Das) and elder brother Budhia(Raghuveer Yadav)after losing their land to the bank for not paying up their loan take the jest seriously and decide to volunteer. Natha decides to commit suicide and it becomes a big news. Reporters Nandita Malik(Malaika Shenoy), Deepak(Vishal Sharma) and a local reporter Rakesh(Nawazuddin) along with others make it a big issue and eventually the positions of many ministers is at stake. What follows is a very well directed satire.


Anusha Rizwi has handled her directorial debut like a pro.The lingo is earthy and much humour is derived from the manner it is spoken by the characters. Anusha leaves no stone unturned to poke fun of vote hungry politicians. Acting Department is ruled by Omkar Das and Vishal Sharma. Expressions given by the former make his character very endearing and the dialogues spoken by the latter are hilarious. Raghuveer Yadav has enacted his role impressively! Nawazzudin is exceptional as the reporter whose conscience awakens. Shankar Raman's Camera work makes a good impact. Music by Indian Ocean is OK.


To conclude, I would say go for it if you really want to see bollywood coming of its age and of course because its an Aamir Khan Production.


My Rating: 7/10


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Once Upon A Time In Mumbai

Lets get straight, if you think Once Upon A Time In Mumbai is a biopic, you're wrong. A police officer(Randeep Hooda) who once traced the changing face of the Mumbai Underworld narrates all his experiences and all his unintentional mistakes which affected everything. Almost every movie-goer has a fascination for gangster movies, and yeah it does not disappoint(almost).. It recreates the era which so many of us have left behind and those who arrived on this planet after 80s.

Once Upon A Time In Mumbai is a story that talks about the entry of mafia for the first time in Mumbai and things unfolded in course of time. It talks about the rise and subsequent fall of the King, and the emergence of the Prince as the super power.  It talks about the dialogues which ruled 70s era. It talks about the chic retro look which was the trademark of that era.

The plot does resemble with lives of Haji Mastan(allegedly played by Ajay Devgn) and Dawood Ibrahim(allegedly played by Emraan Hashimi) but whatever is, the screenplay is engrossing and keeps you hooked until you feel about complaining for the length when things get slow in the second half and gradually in the end. But, the dialogues do get lots of claps and whistles in not few but many scenes. Recreating the bygone era is tough and the director, the writer and the art director deserve brownie points for giving the film that authentic feel.

As for acting, Emraan is sure to break free from his lover boy image with this film. This is his finest performance to date. Ajay Devgn has become repetitive, his dialogue delivery and expressions betray you many times, although his character is very strong and he has played it effectively. There was nothing much to do for the ladies(Prachi and Kangana), but they managed to portray their roles 'beautifully'. Randeep Hooda, too, performed well. Pritam's music( in spite of the fact the music is never really 'his') is an ace. But, it was the background score which left an lasting impression even when the movie ended.

When the screenplay is powerful and engaging, direction has to be brilliant. Milan Lutharia successfully recreated that era and his work is exemplary. There should be a special note of the dialogues, also written by Rajat Arora( screenplay) which are fantabulous.

To conclude, I would just say, go for it if you really are interested in the dialogues which no longer have there existence these days(of course allegedly)

My Rating: 7/10

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INCEPTION

What is the most resilient parasite? An Idea! Yes, Nolan has created something with his unbelievably, incredibly and god-gifted braniac idea which will blow the minds of the audience away. The world premiere of the movie, directed by Hollywood's most inventive dreamers, was shown in London and  has already got top notch reviews worldwide and has scored maximum points! Now the question arises what the movie has that it deserves all this?

Dom Cobb(Di Caprio) is an extractor who is paid to invade the dreams of various business tycoons and steal their top secret ideas. Cobb robs forcefully the psyche with practiced skill, though he's increasingly haunted by the memory of his late wife, Mal (Marion Cotillard), who has a nasty habit of showing up in his subconscious and wreaking havoc on his missions. Cobb had been involved so much in his heist work that he had lost his love!

But then, as fate had decided, a wealthy business man Saito( Ken Watanabe) hands over the responsibility of dissolving the empire of his business rival Robert Fischer Jr.(Cillian Murphy). But this time his job was not to steal the idea but to plant a new one: 'Inception'

Then what happens is the classic heist movie tradition. To carry out the the task, Cobb's 'brainiac' specialists team up again with him, Arthur (Joseph Gordon-Levitt), his longtime organizer; Tom Hardy (Eames), a "forger" who can shapeshift at will; and Yusuf (Dileep Rao), a powerful sedative supplier.  

There is only one word to describe the cinematography, the set designs and the speical effects, and that is Exceptional! You dont just watch the scenes happening, you feel them. The movie is a real thrill ride. The action scenes are well picturised and the music by Hans Zimmer is electronically haunting. Never, in the runtime of the movie, you will get a chance to move your eyes from the screen to any other object.


Leonardo, who is still popularly known for Jack Dawson played by him in Titanic, should be relieved as his role as Dom Cobb will be remembered forever. His performance may or may not fetch him an Oscar but it will be his finest performance till date. The supporting cast too did an extraordinary work. Christopher Nolan, ah! what a man he is. His work is nothing less than a masterpiece and he deserves all the awards in the 'Best Director' category. If "Inception" is a metaphysical puzzle, it's also a metaphorical one: It's hard not to draw connections between Cobb's dream-weaving and Nolan's film making, intended to seduce us, mess with our heads and leave an ever-lasting impression.

To conclude, I would just say before your life ends, do yourself a favor by experiencing this exceptionally lucid classic created by Nolan!


My Rating: 10/10

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I Hate LUV Stories

The title was attractive.. So was the treatment and the hype.. Both, who love and who hate love stories were excited.. But, we adore love stories, don't we? So how can anybody possibly hate love stories.. That was supposed to be the main theme of the movie.. But.. things went wrong right from the beginning.. Full of clichés and predictable storyline the whole setup of the movie failed..

Imran a typical Casanova works as an assistant to a director who is famous for making blockbuster love stories.. Incomes Sonam who is an art director for the same movie in which Imran is working.. Imran hates his job and love stories but Sonam lives in fairy world where love stories are made in heaven and she has already got a perfect match for her who is just like a typical love story hero.. As usual they are totally anti towards each other and gradually grow liking and Sonam already being engaged falls for him and he rejects... Then as the time passes Imran finds himself as a changed man and he doesn't enjoys his life as he used to be.. His friends convince him that he has fallen in love but he isn't ready to accept the fact but like all the old stories he gets to know that he is in love with Sonam and after all the tedious drama they meet and live happily ever after!

Now, I don't need to say anything on the storyline provided you already have made your opinion after reading the above para.. Then comes the acting.. Imran Khan is as always very consistent.. No actor can act as badly as he does.. Neither he accepts this fact and nor he tries to improve upon.. His dialogue delivery is worse than Bruna Abdullah(yeah, she too is present in this film)and like always he is expression less throughout the movie and dances like a douchebag! Sonam is strictly OK..! Kavin Dave as Imran's friend is the show stealer and takes the lime light in not few but in many scenes.. Samir Dattani is decent.. Aamir Ali is good as an individual but his pairing with Pooja Ghai is irritating.. Samir Soni is OK in some parts and good in some.. The only saving grace if the movie is the music.. Vishal-Shekhar are in top form.. Styling by Manish Malhotra is top notch.. Cinematography is enjoyable too.. The worst part is the direction.. Debutante Punit Malhotra should be backed for trying a different theme but he should be thrashed for failing miserably..

To conclude, I would suggest the movie only to those who have a strong affinity for usual love stories.. Yeah the movie had its few hilarious moments but thats not what you expect from a movie made under Dharma Productions banner..!

My Rating: 4/10

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Raajneeti

First of all let me clear it out, I personally hate politics and am a novice in it but after watching this movie i concluded few things:

1) All politicians are murderers.

2) People switch their present or future life partners with others in order to gain votes or money to gain votes.

3) Police is just like dice for politicians. They throw and spin them against each other for their own benefits.

4) There is no term like family or sibling in politics. Anyone can turn against anyone or may be kill each other just for greed of votes.

5) Public is a complete moron; people vote for that person who gives them a cunning speech and not to that person who genuinely wants good for them.

6) There are no human beings in politics, just a bunch of 'escaped-from- hell' devils fighting against each other to attain powers not for using for benefit of public but for personal greediness.

I am not sure whether the things I concluded are correct but you will sense trueness in them once you watch this movie. Prakash Jha( Mrityudand, GangaJal and Apaharan), famous for making movies on serious topics and getting success for every film, fails this time. All his previous movies worked because he stuck to the main story till the end and the lead actor did justice with his role. But, in Raajneeti he did a different thing, he assembled a huge star cast with every actor having a potential of pulling of any movie well and a strong topic: politics, which was great but he didn't give preference to MAIN story this time which went wrong.

Raajneeti is supposedly based on the epic Mahabharata in which brothers went for a long brutal war against each other because of their personal differences. Thus, with so many characters in the movie it was impossible for any director to present two stories simultaneously: Politics and a family war. Prakash Jha had so much scope of showing the inside story of the dirty politics going on in the country people would have been satisfied but we all know there very few politicians who come from the same family or may be there is no one. So, instead of showing the movie on politics Prakash Jha ended up making a movie in which a group of brothers play conspiracies against each other to become the group leader.

I am not indicating that Raajneeti was a complete failure. It made huge impacts many times. The positives were fine performances by the actors. Ranbir Kapoor, Manoj Bajpai, Katrina Kaif and Arjun Rampal deserve special accolades for their performances. Naseeruddin Shah had nothing to do in the movie. Ajay Devgn too had little scope in comparison to others but he did his job well. Nana Patekar was OK. Sarah Thomson was good.

As I told storyline would have been much better if Prakash Jha and Anjum Rajabali stuck only to the politics. Music by Wayne Sharpe went unnoticed except for the song Mora Piya which was played a few times in the background. Editing was poor, the movie could easily have been cut short by thirty minutes which didn't happen so the movie gave the audiences many chances of yawning and checking their watches.

To conclude I would say the difference lies in Prakash Jha's earlier successful movies and Raajneeti is that the previous movies were made with an intention of presenting the audiences with reality and Raajneeti was only made with intention of scoring big at the box office. The film had so many brilliant actors that Prakash Jha didn't do full justice with everyone, he wanted to include everything in his movie: romance, suspense, and some scenes which were completely unexpected and unwanted.

I know you will watch this film, so there is no point of saying anything on this but yeah it has its moments which will remind you of old Prakash Jha. That's why I say he didn't go for politics, he went for polymorphism!

My Rating: 6/10

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